Alain de Botton points out that "curiosity might be pictured as being made up of chains of small questions extending outwards, sometimes over huge distances, from a central hub composed of a few blunt, large questions." Those blunt questions, such as what we think of in childhood –– "why is there good and evil?" become connected to "smaller esoteric ones." I think curiosity might be the most valuable gift in the thinking repertoire nurtured in the art studio. (From: The Art of Travel, p. 116)
